Publication: FREDERICK DOUGLASS' PAPER
Date: October 22, 1852
F. DouglassTitle: ORATORS AND ORATORY. AN ADDRESS BY PROF. WM. G. ALLEN
Location: Rochester, New York
ORATORS AND ORATORY.
AN ADDRESS
BY
PROF. WM. G. ALLEN,
Central College, June
It is not only true, that "the mind is the only medal of honor - the only badge of distinction - the only measure of the
man" - but it is also true, that he that thinks the largest thought is the ruler of the world. Such a ruler may not sit upon
the throne, nor may he occupy the President's chair, nor the Governor's seat; nevertheless, he is the ruler of the world,
and that by reason of his superior and God-given powers. Accustomed as the world now is, to regard shadows as substances,
and shows as realities, it is unable to recognize its true rulers; but as it moves onward and upward to God - as the
Is Fillmore the
Nothing is easier, as, indeed, nothing is more common, than to call both persons and things by improper names. Touissant
figures less largely on the pages of history than Napoleon; and, yet, in every element of the
After the thinker, the next in order is the orator. Indeed, the consummate orator is thinker, speaker, and righteous man
combined. The world has seen but few such; but wherever, and whenever seen, they have represented the "highest style of man"
- the most perfect specimens of intellectual and moral grandeur.
The art of oratory is consequent upon introduction of sin. Had there been no disturbing force, all men would be poets. Do
you ask why? Because poetry is the natural language of the sinless heart. The Bible is the most poetic of books, because most
conformable to nature. The Hebrew language is the most poetic of languages, because spoken before sin had been wrought into
a science. Even the sounds of this language are prayerful and poetic.
Had there been no disturbing force, all would have been harmony; - and what need, therefore, would there have been of logic,
since there would have been nothing to correct? What need of rhetoric, since no art of persuasion would have been necessary
to impress men with either the beauty or the holiness of virtue? Our outward world is at expression of our interior life.
Not the Psalmist alone, therefore, but all men would have exclaimed, and the exclamation would have been spontaneous,
"The Heavens declare the glory of God,
And the firmament sheweth his handy work
Day unto day uttereth speech,
And night unto might sheweth knowledge."
The whole universe would have been to all mankind a paradise, and creation, holy ground. Had there been disturbing force,
there would have been thought, but no
"The meanest flower that blows
Can give
Since, then, the art of oratory is consequent upon the introduction of sin; and since the sin of sins is the oppression of
the weak by the strong, it follows that no other subject can beget the highest efforts of oratory than that of personal or
political liberty. Liberty is the first condition of human progress. Whoso does not admit this, is irredeemably dull of comprehension.
It follows, also, that orators worthy the name, must originate in the nation which is a transition state, either form slavery
to Freedom, or freedom to slavery. I was about to say, that orators worthy the name, must originate among the oppressed races,
but on turning to the pages of history, I was reminded of the fact, that all races, with scarcely an exception, had, at some
period of their existence, been in a state of thraldom. In the veins of English and Americans; the freest of men - flows the
blood of slaves. At the Norman Conquest, and the close of the Saxon Heptarchy, two-thirds of the population of England were
held in different degrees of servitude. One person in every seven was an absolute slave, and a marketable commodity, in every
sense of the word. Slaves and cattle were legal tender and the law was, that one slave should be held in value as equivalent
to four oxen. A little consolation is better than none; so I would say to the black man, therefore. -
The celebrated Demosthenes arose at a period when Athens was passing into a state of thraldom under Philip. Cicero, when
Rome was in a transition state from a commonwealth to an Empire. Patrick Henry, when the colonies were passing from the darkness
of British tyranny into the light of American freedom. And certainly none need to be told, when Ireland produced her O'Connell,
the dark-skinned American his Douglass, the Hungarian his Kossuth.
I proceed now to illustrate. The most distinguished of ancient orators are Demosthenes and Cicero. Julius Caesar, too, was
one of Rome's greatest orators; and, had he given his attention exclusively to the art, would doubtless have surpassed him
whose name sheds so much lustre on Roman history. Caesar was a man of wonderful genius. Romans thought him a God; and, I was
about to say - well they might; for judged in the light of mind, as comprehensive as flexible, as flexible as comprehensive,
and as intense as both - Rome never produced his equal.
Of the personal history of Demosthenes and Cicero, I have not time to speak, nor is it important to consider it in such a
lecture as this. All know something more or less of the early life of Demosthenes - how he was hissed off the stage because
of his ungainly appearance, and indistinct articulation - how he shaved his head that he might not go abroad - how he hung
a sword before his mirror, that, at last, to correct his enunciation, he practised with pebbles in his mouth, and, to accustom
himself to the clamor of the multitude, declaimed upon the sea-shore taking for his audience the roaring and dashing of the
billows - how, in short, he gave himself to the intensest application in the art in which he was determined to excel. All
know, also, who know anything of his history, what the result was of such persevering efforts.
Cicero, also, in early life, labored under disadvantages not a few; but, being less formidable than those of Demosthenes,
they were, of course, more easily overcome.
Demosthenes' most celebrated oration is his "Oratio De Corona." It was delivered about 320 B.C.; and in connexion with Ctesiphon,
with whom the great orator was an associate. The indictment was moved by AEschines - a man of great power, and especially
remarkable for his personal and political hatred of Demosthenes be crowned for his services to the State. The ceremony was
to be performed in the Theatre of Bacchus, during the festival held in honor of that god, and the crown, as usual, to be a
chaplet of olive, interwoven with gold. AEschines opposed the measure. He had great powers of oratory; and in addition thereto,
the weight and influence of character which attached themselves to the leader of a powerful Grecian faction. But, with all
these, he was unable to stand the fire of Demosthenes. The result is known. He was overwhelmed with disgrace, and compelled
to submit to exile.
The plan of this masterpiece of Demosthenes, as given synoptically by Champlin, is as follows: -
1. Exordium.
2. Refutation of charges foreign from the indictment.
a - Of a private nature.
b - Of a public nature.
3. Reply to the charges contained in the indictment.
4. Strictures upon the character, and course of his antagonist, compared with his own.
5. Peroration.
Cicero's orations are more numerous than Demosthenes. He was a man of more varied and extensive attainments, and of greater
versality of talent. Among the most famous productions of Rome's greatest orator, are his speeches on the injustice of Verres,
and the conspiracy of Cataline. It would be well to enter into detail here, were it not that in such an Institution as this,
the work would be one of supererogation.
Demosthenes and Cicero are the opposites in style. If Demosthenes be the prince of orators, then one may obtain to the highest
position in the art, and yet be almost entirely deficient in ideality. Demosthenes deals in logic and facts. His argumentation
is iron-linked; and when he smites, it is as though he wielded one of the thunder-bolts of Jove. Cicero, on the other hand,
is less strong, but more graceful, grander, and more magnificent. The one speaks in sentences, short, vivid, and of lightning
stroke; the other, in sentences long, easy, flowing and majestic. The State endangered, or in emergencies generally, Demosthenes
is superior to Cicero, because more vehement and rapid. He so constructs his sentences, also, as to demolish as with a consuming
fire every thing which opposes him. He is vindictive, sarcastic, abusive, severe, terrible. Take the following from his oration
on the crown:
"Eschines, hearest thou this? * * * Why, then, accused wretch, hast thou reproached me so wantonly on this head? Why hast
thou denounced against me that which the Gods in justice can denounce only on thee, and thy vile associates? * * * * He accuses
me of favoring Philip! Heavens, and earth, what would not this man assert?" * * * * * "Wretches, flatterers, miscreants, tearing
out the vitals of their country, and tendering its liberties first to Phillip, and then to Alexander! Was it thus with me?
By no means, my countrymen. My conduct throughout has been influenced by a spirit of rectitude, justice, and integrity. I
have been engaged in affairs of greater moment than any statesmen of my time; and I have administered them with an exact fidelity,
and uncorrupted faith; and these are the merits on which I claim this honor."
Take the following from Cicero's in favor of Milo - a candidate for the consulship:
"Indeed, if I imagined, it (a guard) was stationed there in opposition to Milo, I should give way to the times, and conclude
there was no room for an orator in the midst of such an armed force. But the prudence of Pompey, a man of such distinguished
wisdom and equity, whose justice will never permit him to leave exposed to the rage of soldiery, a person whom he has delivered
up to legal trial, nor his wisdom to give the sanction of public authority to the outrage of a furious mob, both cheers and
relieves me. Wherefore, those centurions and cohorts, so far from threatening me with danger, assure me of protection; they
not only banish my fears, but inspire me with courage, and promise that I shall be heard not only with safety, but with silence
and attention."
By this comparison of extracts, you will perceive that in beauty and harmony of diction, Cicero is superior to Demosthenes.
There is about the Roman a power of insinuation, a worming of one's self into the affection, which the great Grecian does
not possess. To sum up in a few words the comparison between these two lights of ancient history, it may be said that Cicero
The most eminent orator which America in her prosperous days produced, is unquestionably Daniel Webster; and the greatest
speech, viewed artistically, which has ever been delivered on the American Continent is his reply to Hayne. Though this speech
(or, I should say, parts of it) is repeated at almost every school-room declamation, yet, to me, at least, it has lost none
of its freshness and its vigor. The origin of this most celebrated oration is well known to all who are in the least acquainted
with American history. For my present purpose, it is sufficient to say, that the body of the speech is an exposition of constitutional
law, and an argument against nullification. Though necessarily abounding in abstract reasoning, it, by no means, lacks that
vitality which stirs the blood, and arouse to the highest possible excitement every faculty of the human soul. One who was
present, says, that where the orator reached the point where he concluded the ecomium upon the land of his nativity - New
England - no one who was not present, could possibly understand the excitement of the scene; and no one who was present could
give an adequate description of it. "No word painting could convey the intense, deep enthusiasm - the reverential attention
of that vast assembly, nor [ ] transfer to canvass their earnest, eager, awe-struck countenances. As he stood sawing his arm
like a huge tilt hammer up and down - his swarthy countenance lighted up with excitement - he appeared amid the smoke, the
fire, the thunder of his eloquence, like Vulcan in his armory, forging thoughts for the God's. The speech was delivered on
the 26th of January, 1830. I need not give extracts. It is sufficient to say that throughout the entire production is a ponderousness
of argument, together with a massiveness of style, which belittles some men, enviable for their talents, into dwarfs of very
small dimensions. His speech on Plymouth Rock is all a glow with the might and majesty of intellectual and moral grandeur.
It is in the light of this speech and his present character that the words of the Poet fall upon our ears in sounds which
send deep sadness to the inner heart.
"So fallen so lost, the light withdrawn
Which once he wore!
The glory from his grey hairs gone
Forevermore!
Scorn! Would the angels laugh to mark
A bright soul driven
Fiend goaded down the endless dark,
From hope to heaven?
All else is gone; from those great eyes
The soul has fled.
When faith is lust, when honor dies,
The man is dead!"
Compared with Clay, Webster is less a genius, so far as genius lies in contrivance and the ability to lead, but a man of
more significant talent. This superlatively great and superlatively bad men of America, is eminently an expounder and defender,
not a leader and aggressor.
The speeches of Webster are destined to fill a large and important place in the history of American literature; and not only
so, some hundred years hence will be read with more eagerness than now. In reading, we may separate the thought and the man,
but the human mind is so constructed that it can not thus deal with the speaker who
As an offset to Webster, I will now introduce to you the celebrated John B. Gough. Though in mental energy vastly inferior
to Webster, he has nevertheless produced results, which Webster could not achieve. Who believes that Webster could deliver
one hundred and eighty lectures on the same topic, to the same audience, and, to the last, keep his audience in ecstacies
of delight? And, yet, John B. Gough has done this - in no less a city than Boston - the most enlightened in the Union, and
consequently, the most difficult to speak in. This is an intellectual phenomenon, and needs to be explained. Demosthenes tells
us, "that which is called eloquence, depends no less upon the audience than upon the speaker." Here, then, is the unravelling
of the mystery. Between the speaker and the audience there must exist a sympathy, which sympathy being wanting, and though
the speaker should be, as Dr. Beecher said Theodore D. Weld was, "as eloquent as an angel, and as powerful as thunder," he
would, nevertheless, be tame to those who heard him. "Put your soul in my soul's stead," contains a world of philosophy. Webster
appeals more directly to the logical and reasoning faculties, and these are active in comparatively few. Gough appeals more
directly to the sympathies, and touches the chords which vibrate most readily in the deep depths of the human heart. And,
in no respect, does he more completely show his ability in adapting means to ends than in the fact that while he comes down
to the level of his audience, he keeps just far enough above them to inspire them with respect. In style, he is dramatic in
the extreme. He is, in fact, a consummate actor, every limb speaking a distinct and emphatic language. He is witty, and his
wit is always fresh. He is humorous, and his humor is always genial. He is pathetic, and his pathos always touching. HE is
benevolent and sarcastic, insinuating and compulsive. His logic lies in facts, not in form, and his rhetoric in a sincere
love of the drunkard, and a straightforward endeavor to inspire the same degree of love and earnestness in others. His language
is chaste; and though a consummate actor, his general appearance, paradoxical as it may seem, is still quite dignified and
impressive. Having heard Gough several times, these are the opinions which I entertain of his oratory.
I come now to the latest and the greatest of orators, whether of ancient or modern date - I mean Louis Kossuth. Partaking
somewhat of the prevailing spirit of excitement, I, too, travelled some ninety miles to get a sight of the lion. Be it understood
that my travel was to see Louis Kossuth, the man of genius - not Louis Kossuth, "the world's Apostle of Liberty." This latter
title I have never awarded him, and am less inclined to do it now than at any former period. I do not design to discuss his
principles or his policy. These have no relation to this lecture, and with regard to these, men may be innocently permitted
to cherish different opinions. And, were I disposed to discuss his principles or his policy at length, I should defer to do
so at least at present, as I do not regard myself as competent to the task. This much I know, however, and this much I will
say, that nations are but conveniences, and were never designed to abrogate the great law of equal brotherhood. - He, therefore,
that would appropriate to himself the title of "Apostle of Liberty," must have a heart not circumcised by national lines,
and sympathies which can grasp the entire human family. Kossuth has no such heart, and no such sympathies; or, if he has them,
what is quite as bad, he has failed to give them expression. Not a word in reference to the wrongs of the American slave has
he ever dropped in this country. He has not even called him by name; thereby giving the impression to those who might not
know the contrary, that not a slave walked o'er all this fair America. Before his countrymen, before the world, and before
his God, I charge him with the utterance of statements which are not only false, but which he could not, by any possibility,
have failed to know were such. "A great, a glorious, a FREE people," said he, at the editorial banquet in New York; - "a great
word this, gentlemen, but it is LITERALLY (!) true!" LITERALLY
Now, be it understood, that Kossuth is not asked to leave his Hungary, and adopt the cause of the American Slave: nor to
divide his energies between the one cause and the other. Nobody would ask that unless he be a fool. He is simply asked to
be truthful, to abide by the law of Rectitude, and to leave his country in the hands of the Great God, who holdeth
I shall not enter into historical detail. All knows that Kossuth now lies in the jaws of the Austrian tyrant, and that Kossuth
is the length and the breadth, the height and the depth of the movement that has for its object her complete and entire release.
For the energy, self-sacrifice, and patriotism which he has displayed in behalf of his bleeding Hungary, let honor crown him
with a golden crown; but forbear to call him "the World's Apostle of Liberty."
The Hungarians, or, to speak more specifically, the Magyars, are descendants of a very feeble race of Northern Asiatics.
They were driven about a thousand years ago, by the Turkish invasion, into Hungary; and, finding that part of Hungary to which
they were driven to be an exceedingly fertile spot, they changed entirely their former mode of life. In Asia, they were wanderers
from pillar to post; in Europe they adopted a settled manner of life. The result of this was a continual going upward in intellectual
and moral improvement. The Magyars are also a mixed race. In the sixth century they became mixed with the Persians on the
shores of the Baltic; and in the ninth century with the Hunns. It is, doubtless, owing to this mixture, and their favorable
climate, that the Magyars are not only among the finest looking, but are also among the most intellectual of men. They have
the cool logic of the European, and the glowing fancy of the Asiatic. Brace tells us, that they are positively a nation of
orators - even the waiter addresses you, and answers your commands in speeches most remarkable for their brilliancy. It is
not to be supposed, however, that all Magyars are Kossuths. In exigencies, the superior man necessarily and inevitably gets
jostled into his position. Kossuth's superior position, therefore, may, in some degree, be taken as an index of his intellectual
advance of his countrymen.
I now introduce Kossuth to you as an orator. Judging him from the speeches which I have read, and those which I have heard,
I should regard him, as I have already said, superior to any orator who has ever spoken, whether of ancient or modern date.
True, he does not thunder like Demosthenes, nor does he link his logic with such iron as the Grecian; nor does he smite with
so terrible a bolt. He has not the swelling flow, nor the grandeur, nor the magnificence of Cicero; nor is he as massive or
as ponderous as Webster. But he has enough of all these qualities to constitute a symmetry which is far better than any exclusive
prominence of any of the faculties of either rhetoric or logic, while, in exuberance of fancy and glowing indignation, he
certainly never had an equal. The following is from his last speech delivered in New York city. It is equal, in the qualities
of mind in which he is pre-eminent, to the exordium of his speech delivered in Louisville, Kentucky, but it will answer as
a substitute, inasmuch as I have lost the extract which I intended to present:
"How great is the progress of Humanity! Its steps are counted centuries; and, yet while countless millions stand almost at
the same point where they stood, and some even have declined since America first emerged out of an unexploded darkness, which
had covered her for thousands of years, like the gem in the sea; while it is but yesterday, a few pilgrims landed on the wilds
of Plymouth, flying from causeless oppression - seeking but for a place of refuge and of rest, and for a free spot in the
wilderness to adore the Almighty in their own way; still, in such a brief time - shorter than the recorded genealogy of the
noble horse of the wandering Arab - yes, almost within the turn a mighty empire arose, broad as an ocean, solid as a mountain
rock, and upon the scarcely rotted roots of the primitive forest, proud cities stand, teeming with boundless life - growing
like the prairie's grass in spring - advancing like the steam-engine - baffling time and distance like the telegraph - and
spreading the pulsation of their lifetide to the remotest parts of the world; and in those cities, and on that broad land,
a nation, free as the mountain air, independent as the soaring eagle, active as nature, and powerful as the giant strength
of millions of freemen.
"How wonderful! What a present, and what a future yet! Future? - then, let me stop at this mysterious word - the veil of
unrevealed eternity!"
"The shadow of that dark word passed across my mind, amid the bustle of this gigantic bee-hive - there I stood with meditation
alone.
"And the spirit of the immoveable Past rose before my eyes, unfolding the misty picture-rolls of vanished greatness, and
of the fragility of human things.
"And among their dissolving views, there I saw the scorched soil of Africa, and upon that soil Thebes, with its hundred gates,
more splendid than the most splendid of all the existing cities of the world; Thebes, the pride of old Egypt, the first metropolis
of arts and sciences, and mysterious cradle of so many doctrines which still rule mankind in different states, though it has
long forgotten their source. There I saw Syria, with its hundred cities - every city a nation - and every nation with an empire's
might. Baalbec, with its gigantic temples - the very ruins of which baffle the imagination of man - as they stand like mountains
of carved rocks in the desert, where, for hundreds of miles, not a stone is to be found, and no river flows, offering its
tolerant back to mountain's weight upon, and there they stand, those gigantic ruins; and as we glance at them with astonishment,
though we have mastered the mysterious elements of nature, and know the combination of levers, and how to catch the lightning,
and command the power of steam, and of compressed air - and how to write with the burning fluid out of which the thunder bolt
is forged - and how to drive the current of streamers up the mountain's top - and how to make the air shine in the night,
like the light of the sun - and how to rise up the bottom of the deep ocean - and how to rise up to the sky - though we know
all this, and many things else, still, looking at the temple of Baalbec, we cannot forbear to ask what people of giants was
that, which could do what neither the efforts of our skill, nor the ravaging hand of unrelenting time can undo, though thousands
of years. And then, I saw the dissolving picture of Ninevah, with its ramparts covered with mountains of sand, where Layard
is digging up colossal-winged balls, huge as a mountain, and yet carved with the nicety of a cameo; and then Babylon, with
its wonderful walls; and Jerusalem, with its unequalled Temple; Tyrus, with its countless fleets; Arad, with its wharves;
and Sydon, with its labyryth of workshops and factories, and Askelou, and Gaza, and Beyrout, and farther off, Persepolis,
with its world of palaces.
"All these passed before my eyes, as they have been; and again they pass as they now are, with no trace of their ancient
greatness, but here and there a ruin, and everywhere the desolation of tombs. With all their splendor, power, and might, they
vanished like a bubble, or like the dream of a child, leaving but for a moment, a drop of cold sweat upon the sleeper's brow,
or a quivering smile upon his lips; then, this wiped away, dream, sweat - all is nothingness!"
Cicero says (De Oratore) that "no man can be an accomplished orator who has not a fund of universal knowledge, and a thorough
knowledge of all the affections which nature has implanted in the human soul." Certainly no one approaches nearer this definition
than does the illustrious Kossuth. His knowledge of history is profound, and so in deed even of local circumstances. During
his stay, in this country, nothing has surprised the people more than that he should know almost every body, and literally
almost everything. He is, in his knowledge, as expansive as profound, and as profound as expansive. Antiquity, the laws of
nations, of States, of Empires, of Kingdoms, of races, and even municipal law, are at his tongue's end, to be used just when
and where he wishes. It is amazing that one head so small can carry so great a weight. His wonderful knowledge also is not
more remarkable than his skill in its application. herein also lies a high evidence of his genius. To know the when and where
- ah! this it is that brings a man to greatness.
His knowledge of all the affections which nature has implanted in the human soul, is also as thorough as Cicero would have
it. - When the Austria-Russian army were on the borders of Hungary, Kossuth employed himself, body and soul of Hungary as
he was, in addressing assemblies of his countrymen. In a few days the Austrians, Russians, Sclavonians, Croats, Serbs and
Wallachians were expected to come down like a crushing avalanche upon doomed and unhappy Hungary. There was but a moment left
him, so the historian tells us; and that moment was to leave behind it either liberty or annihilation. I give the words of
the narrator; "Rising to make a speech, after passing deliberately through a long array of facts and arguments by which he
carried conviction into every heart, he ceased to speak, but still maintained his position. Raising his large and now watery
eyes to Heaven, he seemed to be making his last petition at the throne of Eternal Justice. A cloud passed over his brow, as
if he then saw by prophetic illumination a revelation of the future. Then lowering his aspect a little, and looking abroad,
through the open windows of the building, upon the grand and historical scenery about him - the river, the plains, the mountains,
he then again raised his eyes and withered hands on high, exclaiming with that emphasis of his which no words can represent.
'O, Hungary! Hungary! Hungary! how can I give thee up? O, bury me, Hungarian earth, within the holy bosom, or be to me a land
of freedom! At this pathetic appeal, every representative before him even the iron-hearted generals, hearing the tones of
his voice, and seeing the tears rolling down his face, wept even as children weep!" Here is emphatically a master's power.
Here is the man who can find is way without effort into the deep depths of the human heart.
In style, if I may use the expression, Kossuth is aromatic and luxuriant. As a declaimer, he is inferior to Thompson; and
this, no doubt, arises from the fact, that while the one deals largely in denunciation, the other almost entirely discards
it. Nothing in Kossuth's speeches, in the line denunciatory, equals the denunciation of America, delivered by George Thompson,
one year ago, in the city of Syracuse. The denunciation was embodied in a comparison of America with Russia. Those who were
present on the occasion referred to, will remember the comparison, and its startling effects; effects rendered none the less
startling by the speaker's emphatic gesticulations, and the prodigious opening of his mouth. The power to denounce is a great
power to him that useth it well. Some sins are to be reasoned out, some are to be ridiculed out, and some are to be denounced
out of the world.
In personal appearance, Kossuth is dignified and impressive. He has not the colossal look of Webster, but his manners are
certainly much more insinuating and graceful. He is of medium height, and most superb gait. His smile is the most winning
- most fascinating - that I have ever encountered in mortal man - not woman. His eyes express dreaminess, rather than energy
of character; though this latter trait is certainly his, by way of pre-eminent right. His voice is deep toned, and sepulchral;
and well calculated to produce oratorical effect. I should regard him as democratic in all his thoughts and feelings. Certainly,
if he is not so, he has consummate ability to adapt himself to circumstances. At the various depots at which the cars stopped
on his way from Syracuse to Utica, he mingled as freely with the multitude as his hurried circumstances would permit; and
always had a fitting reply to the various remarks of which he was recipient. To a question put by a codger in the crowd, as
to what were the prospects for Hungary? he made the reply, not so remarkable for its words as its manner. - "Ah," said he,
"that is along tale. - We must fight a little, and leave the rest with the Almighty God." If I were an ultra peace men, I
should be disposed to criticise this remark, but as I am not, I pass it without comment.
Having said thus much, I now take my leave of the exile, the patriot, and the orator: and, could I, in conscience do it,
would gladly add the Philanthropist and the Christian.
I can not close this lecture without a tribute to the colored people of this country - Already have they done something to
achieve a place among those who have written their names in large letters upon the pages of the orator's history; and, being
yet in a transition state, we may expect developments in the oratorical art which shall surpass any thing which ever yet they
have made.
Ward, as a stump orator, has certainly few superiors. A friend writing from New York city in reference to his celebrated
speech in reply to Dr. Grant, said he could no more report that speech than he could the corruscations of lightning. The Doctor
attempted to prove scientifically that the African was but a connecting link between the man and the monkey. Douglass was
also present, and, of course, made such a reply as Frederick Douglass
Garnet, as an orator, is more polished than Ward, as well as more elaborate. He has more application as a student - is more
consecutive in his thoughts, and employs more method in their arrangement. He would, consequently, be more pleasing to a select
audience; while a promiscuous one would be more easily swayed by Ward. His personal appearance is fine. He is about five feet
and two inches tall, erect of figure, and somewhat slender in build. He is as black as Ward, but of smoother texture of skin;
has a fine eye, and prominent brow. He dresses in the best broadcloth, and with most scrupulous exactness; carries a cane,
and altogether his presence impresses you with the fact, that, though somewhat aristocratic, he is, nevertheless, not only
a well-bred man, but a most accomplished gentleman. - He is a cousin of Ward, and is, as Ward is, a Southern. Hot blood runs
in his veins; and he would throttle the life out of a slaveholder with as little compunction of conscience as he would tread
the life out of a snake. The following is taken from a witness address delivered by this orator a few years since in Troy.
"The silence that reigns in the region where the pale nations of the earth slumber is solemn and awful. But what think ye,
when ye are told that every rood of this Union is the grave of a murdered man, and their epitaphs are written upon the monuments
of the nation's wealth. Ye destroyers of my people draw near, and read the mournful inscription; aye, read it, until it is
daguerreotyped on your souls. You have slain us all the day long. You have had no mercy! Legions of haggard ghosts stalk through
the land. Behold, see, they come - Oh, what myriads! Hark, hear their broken bones as they clatter together. With deep, unearthly
voices, they cry, "We come, we come, for vengeance we come!" Tremble, guilty nation, for the God of Justice lives and reigns.
The screaming of the eagle, as he darts through lightning and storm, is unheard because of these voices. The tocsin of the
Sabbath, and the solemn organ are mocked by them. They drown the preacher's voice, and produce discord in the sacred choirs.
Sworn Senators and perjured demagogues as they officiate around the altar of Moloch in the national capitol - hear the wailings
of the victims of base born, democracy, and they are ill at ease in their unexampled hypocrisy. The father of waters may roar
in his progress to the ocean - the Niagara may thunder, but these voices from the living and the dead will rise above them
all."
This is eloquence. You being the judges, tell em does the history of English oratory contain aught more awfully grand in
conception, or beautiful in expression?
In versatility of oratorical power, I know of no one who can begin to approach the celebrated Frederick Douglass. He, in
very deed sways a magic wand. In the ability to imitate, he stands almost alone, and unapproachable; and there is no actor
living, whether he be tragedian or comedian, who would not give the world for such a face as his. His slaveholder's sermon
is a masterpiece in its line. When he rises to speak, there is a slight hesitancy in his manner, which disappears as he warms
up to his subject. He works with the power of a mighty intellect, and in the vast audiences which he never fails to assemble,
touches chords in the inner chambers thereof which vibrate music now sweet, now sad, now lightsome, now solemn, now startling,
now grand, now majestic, now sublime. He has a voice of terrific power, of great compass, and under most admirable control.
Douglass is not only great in oratory, tongue-wise, but, considering his circumstances of early life, still more marvellous
in composition penwise. - He has no fear of man; is no abstractionist; has a first-rate philosophy of reform; believes the
boy would never have learned to swim if he had not gone into the water; and is, consequently, particularly obnoxious to tavern-keepers
and steamboat captains, and those in general who mix up character and color, man and his skin - and to all, in short, who
have little hearts and muddy heads. - He is the pride of the colored man, and the terror of slaveholders and their abettors.
- Long may he live - an honor to his age, his race, his country, and the world.
Gladly would I devote a few lines to the eloquent Remond, but I must not draw too largely on your patience. This orator has
remarkable fluency, and on his favorite theme - prejudice against color - wields a sarcasm which bites the heart to its very
core.
But what say you - shall we not hear of Garrison, of Smith, of Phillips? Gladly also would I speak of those; but who, in
one evening, can do justice to either Garrison, or Smith, or Phillips? These are emphatically a nation's glory - earth's noblest
spirits. - Great in oratory, they are greater still in the majesty of a character built upon, and interlocked by, the law
of Eternal Rectitude. - Garrison is the best misunderstood man in America. Regarded as rabid, fanatical, and almost inhuman,
no man living presents a more consistent embodiment of whatsoever in Christianity is lovely and of good report. The charge
that stands good against him is, that he is death to time-servers and those who make a mockery of the principles of Christianity
and Reform. His oratory is peculiarly expressive of his character - remarkable for his serenity, and for that calmness which
indicates great inward strength and power. Wendell Phillips is well known as emphatically
I come now to the last division of this lecture. There are three specific fields for oratorical effort. These are the bar,
the pulpit, and the hall of legislation. To develop the speaking faculties,
For oratorical purposes, the English language is not surpassed by any living tongue. It is not so compact, so abstruse, so
subtle, as the language of the ancient Grecian, but it is much more simple in its construction, and, certainly, fully as impressive
and commanding. It is a language of great wealth, being made up of contributions from almost every language under the sun.
Its basis is Saxon and Celtic. It is of noble sound, but not so rich in melody as either the ancient Greek, or the modern
Spanish and Italian. Charles V., speaking merrily, says "We should speak Spanish with the Gods, Italian with our mistress,
French with our friend. German with soldiers,
The continuous hissing sound, so peculiar with the English, no doubt, induced the funny monarch to institute such a comparison.
Language is but an expression of national mind and character. The Greek language is subtle and philosophical, because the
Greeks were subtle and philosophical. The Latin is stiff, and right about face. The English is flexible and energetic. It
is not only true that as a nation's mind is, so will a nation's language be, but it is also true, that as a language is, so
will those who speak it be. Foreigners to a language, therefore, will assimilate in character, while even in their own land,
to the people whose language they may speak. The Norman Conquest was greatly facilitated by teaching those who fled from Britain
to Normandy, during the period of the Danish sway in Britain, to read and speak the Norman language. I have introduced this
short dissertation on language, because I thought it not inappropriate in a lecture on oratory.
And, now, members of the Dialexian Society, having thus spoken of oratory - its origin, its purposes, its effects, and having
illustrated the subject, as well as I was able, by a reference to some of its brightest lights, I now address to you a word,
which, I trust, you will receive, as, indeed, I know you will, in kindness and in friendship. You live in a great country.
so far as energy, intellect, and activity constitute greatness, the sun has never seen its equal. You not only live in a great
country, but a country most remarkable for its spirit of compromise - for calling that which is bitter, sweet, and that which
is bad, good. You live in a country where the combat deepens, and still deepens, between the spirit of freedom and the spirit
of the pit. - Now, which side will ye choose? Need I put the question again? I trust not. May I not say, I
Then, members of this society, as ye cultivate the oratorical, do it diligently, and with purpose; remembering that it is
by the exercise of this weapon, perhaps more than any other, that America is to be made a free land not in name only but in
deed and in truth. Remember, also, that as with individuals, so with nations; both can become effectual teachers of the democratic
idea, only by exemplifying in their lives the principles they profess. Oh, America, that I could take thee to my bosom as
"Thy hills and thy valleys are sacred all to me,
No matter what in lands of others I may see."
And, lastly, let me take my seat in saving to you,